
Anikulapo is a Yoruba phrase often translated as “He who has death in his pouch” or “one who carries death,” a name Fela adopted to reject his colonial surname and assert a powerful identity.
He primarily played tenor saxophone and electric keyboards, in addition to singing and directing the horn-driven sound of his ensembles.
Fela studied music in London at the Trinity College of Music in the late 1950s, where he trained in classical and jazz techniques.
His mother, Funmilayo Ransome-Kuti, was a prominent feminist and nationalist activist whose example strongly shaped Fela’s political outlook.
Yes. His sons Femi Kuti and Seun Kuti are prominent musicians who continue to perform and evolve the Afrobeat tradition.
Fela was known for marathon concerts that could last several hours, combining long musical grooves, impassioned political speech, and theatrical performance.
His legacy includes the New Afrika Shrine in Lagos, a 2009 Broadway musical called "Fela!", and widespread influence on global artists and music sampling.