
He was mainly the band’s composer and arranger. Vocalists like Fred Schneider, Kate Pierson, and Cindy Wilson handled most lyrics and vocal parts.
He has not been prominent as a solo artist; most of his recorded output and reputation come from his work with the B-52s and their studio projects.
Key albums featuring his arrangements and songs include The B-52s (1979), Wild Planet (1980), Mesopotamia (1982), and Cosmic Thing (1989).
Keith contributed arrangements, multi-instrument parts, production ideas, and studio experimentation, using guitars, keyboards, drum machines and effects to shape the band’s sound.
His guitar work mixes chiming, surf-influenced riffs with staccato pop hooks, quirky effects, and rhythmic textures that make songs feel both danceable and playful.
He continued to be involved with the band’s recordings and performances but scaled back touring in later years to focus on studio work and creative projects.
Begin with the singles “Rock Lobster,” “Private Idaho,” and “Love Shack,” and the albums The B-52s and Cosmic Thing to hear his signature arrangements and hooks.
Keith often built songs from instrumental hooks and rhythmic ideas, experimenting in the studio to turn quirky concepts into tight, danceable arrangements.